{"title":"Bill Evans","description":null,"products":[{"product_id":"bill-evans-trio-65","title":"Trio 65","description":"\u003cp\u003eThere\u0026#039;s scarcely a more towering figure in modern jazz — save Miles and Coltrane — than Bill Evans. His relaxed and emotional style at the piano would prove influential to not only his peers but to generations of pianists who would follow him. It also doesn\u0026#039;t hurt that he appeared on (and had great influence over the direction of) Kind Of Blue and that two of his trio’s LPs from the Village Vanguard in 1961 are both stone-cold classics.\u003c\/p\u003e\n\n\u003cp\u003eEvans is joined here by bassist Chuck Israels and drummer Larry Bunker for this 1965 recording. The album includes the heart-wrenching \u0026#34;Who Can I Turn To?\u0026#34; alongside \u0026#34;If You Could See Me Now\u0026#34; and Johnny Carisi\u0026#039;s \u0026#34;Israel.\u0026#34;\u003c\/p\u003e\n\n\u003cp\u003eVERVE ACOUSTIC SOUNDS SERIES: mastered fully analogue from the original tapes by Ryan K. Smith at Sterling Sound, QPR pressing (180 g), firm tip-on gatefold (Stoughton Printing), padded inner sleeve.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eA1. Israel\u003cbr \/\u003e\nA2. Elsa\u003cbr \/\u003e\nA3. Round Midnight\u003cbr \/\u003e\nA4. Our Love Is Here To Stay\u003cbr \/\u003e\nB1. How My Heart Sings\u003cbr \/\u003e\nB2. Who Can I Turn To? \u003cbr \/\u003e\nB3. Come Rain Or Come Shine\u003cbr \/\u003e\nB4. If You Could See Me Now \u003c\/p\u003e\n\n\u003cp\u003eBill Evans  - Piano\u003cbr \/\u003e\nChuck Israels - Bass\u003cbr \/\u003e\nLarry Bunker - Drums\u003cbr \/\u003e\n \u003c\/p\u003e\n","brand":"Bill Evans","offers":[{"title":"OS","offer_id":46797027213566,"sku":"137502000","price":39.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0745\/4474\/2654\/files\/Bill-Evans_Trio-65_Acoustic-Sounds-Vinyl_s137502_o203954_a301482_v12045460.22bd67bb.jpg?v=1747790642"},{"product_id":"bill-evans-at-town-hall-volume-one","title":"At Town Hall, Volume One","description":"\u003cp\u003eA timeless piano jazz classic: Bill Evans’ first-ever performance at a concert hall in New York City. Featuring the sensitive accompaniment of Chuck Israels on bass and Arnold Wise on drums. Includes a thirteen-minute solo suite dedicated to the memory of Bill’s father who had only recently passed at the time of the recording.\u003c\/p\u003e\n\u003cp\u003eVERVE ACOUSTIC SOUNDS SERIES: Stereo, mastered fully analogue from the original tapes by Ryan K. Smith at Sterling Sound, QPR pressing (180 g), firm tip-on gatefold (Stoughton Printing), padded inner sleeve.\u003c\/p\u003e\n\u003cp\u003eTracklist:\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI Should Care\u003c\/li\u003e\n\u003cli\u003eSpring Is Here\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e Side B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWho Can I Turn To (When Nobody Needs Me) Side B\u003c\/li\u003e\n\u003cli\u003eMake Someone Happy\u003c\/li\u003e\n\u003cli\u003eSolo – In Memory Of His Father, Harry L. Evans, 1891-1966\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003ePrologue \u003c\/p\u003e\n\u003cp\u003eImprovisation On Two Themes : Story Line - Turn Out The Stars\u003c\/p\u003e\n\u003cp\u003eEpilogue\u003c\/p\u003e","brand":"Bill Evans","offers":[{"title":"OS","offer_id":46797296173310,"sku":"144112000","price":39.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0745\/4474\/2654\/files\/Bill-Evans_At-Town-Hall-Volume-One_Acoustic-Sounds-Vinyl_s144112_o560660_a326102_v11953922.e13bae3b.jpg?v=1747791427"},{"product_id":"tony-bennett-bill-evans-the-tony-bennett-bill-evans-album","title":"The Tony Bennett \/ Bill Evans Album","description":"\u003cp\u003eThe Tony Bennett Bill Evans Album (1975) brings together two legends of modern music. Featuring just vocal and piano, without any additional musicians, the two artists selected the songs and worked out the arrangements for what was to become the first of two albums together\u003cbr \/\u003eBennett and Evans first met in 1962, when both were performing (though not yet together) in a special jazz event on The White House lawn (during the Kennedy years). It was the jazz and theatre singer Annie Ross, who had known both men for many years by the early ‘70s, who supposedly came up with the idea that Bennett and Evans should do an album together.\u003cbr \/\u003eIn June 1975, they finally got together. Tony later related: “I said to Bill, ‘Listen, it will just be the two of us – you don’t bring your cronies and I won’t bring mine!’” Bennett and Evans selected the tunes, worked out the arrangements semi-spontaneously, and picked the final takes to be used. The music is some of the most heartfelt and human in that rarely entered realm where jazz and pop music merge. Their follow-up album, Together Again, was released in 1977.\u003cbr \/\u003eThis 180-gram reissue was cut from the original analog tapes by Kevin Gray and pressed at RTI, and comes packaged in a tip-on jacket with Obi.\u003c\/p\u003e\u003cp\u003eTracklist:\u003c\/p\u003e\u003cp\u003eSide A\u003c\/p\u003e\u003cp\u003e1. Young And Foolish\u003cbr \/\u003e2. The Touch Of Your Lips\u003cbr \/\u003e3. Some Other Time\u003cbr \/\u003e4. When In Rome\u003cbr \/\u003e5. We’ll Be Together Again\u003c\/p\u003e\u003cp\u003eSide B\u003c\/p\u003e\u003cp\u003e1. My Foolish Heart\u003cbr \/\u003e2. Waltz For Debby\u003cbr \/\u003e3. But Beautiful\u003cbr \/\u003e4. Days Of Wine And Roses\u003c\/p\u003e","brand":"Tony Bennett \u0026 Bill Evans","offers":[{"title":"OS","offer_id":46797510082814,"sku":"504299000","price":41.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0745\/4474\/2654\/files\/Bill-Evans-The-Tony-Bennett-Bill-Evans-Album-Vinyl-Album-504299-395594.1c495b45.jpg?v=1747792033"},{"product_id":"stan-getz-bill-evans-previously-unreleased-recordings","title":"Previously Unreleased Recordings","description":"\u003cp\u003eBill Evans and Stan Getz are about as close as musicians can get in terms of artistry, musical philosophy, technique, and personality. These previously unreleased sessions, recorded in 1963 with drummer Elvin Jones and a mix of bassists Ron Carter (Side A) and Richard Davis (Side B) are a perfect harmony of their strong individual styles and collaborative sensibilities with both at the peak of their creative careers.\u003c\/p\u003e\n\u003cp\u003eVERVE ACOUSTIC SOUNDS SERIES: mastered fully analogue from the original tapes by Ryan K. Smith at Sterling Sound, QPR pressing (180 g), firm tip-on gatefold (Stoughton Printing), padded inner sleeve, Gatefold Sleeve.\u003c\/p\u003e\n\u003cp\u003eTracklist:\u003c\/p\u003e\n\u003cp\u003eA1. Night And Day\u003cbr \/\u003eA2. But Beautiful\u003cbr \/\u003eA3. Funkallero\u003cbr \/\u003eB1. My Heart Stood Still\u003cbr \/\u003eB2. Melinda\u003cbr \/\u003eB3. 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Chuck Israels replaces LaFaro, playing more of an accompanist role than Scott\u0026#039;s style, and Paul Motian resumes his duties as the trio\u0026#039;s drummer. This line-up produced the material for two albums that were to become Evans\u0026#039; most popular. Moonbeams contains ballads from the ‘62 sessions, which also spawned the more upbeat How My Heart Sings that same year. Moonbeams captures some of Evans‘ most introspective playing, his sense of loss evident but tempered by Israels’ sensitive performances. 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